Woman dancing with partner
The post below was written by Melissa West-Koistila. She is a salsera in Ohio who had a few thoughts on a topic that alot of dancers can identify with. Please read the article below and give us your thoughts on this important topic! Something unusual happened during dance class last weekend. Upon walking into my Sunday afternoon dance class I noticed a young man sitting silently by the window at the front of the dance studio.
- Does This Video Show a Woman Stabbing Her Dance Partner?
- BYU will allow same-sex dancing at annual competition
- Dancing On Ice star Maura Higgins swept up in drama between pro skating partner and his wife
- Dancing Couple Vectors, Photos & PSD
- Partner dance
- How to Lead and Follow (The Secret to Dancing With a Partner)
Does This Video Show a Woman Stabbing Her Dance Partner?
Kate Swanson is an Australian writer and dancer with nearly 40 years' experience in ballet, jazz, flamenco, ballroom, Latin and bellydance. The most difficult thing to master in ballroom dance, salsa, tango, swing, Latin—or any other kind of partner dancing—is not the steps. It's the interaction with your partner! It's simply impossible for two people, dancing in close contact, to move seamlessly if each person making their own decisions, choosing their own timing and doing their steps independently.
They must coordinate their moves perfectly—and the only way to achieve that is for one person to direct the moves and the other person to follow. If you were wondering why the Antonio Banderas ballroom movie was called "Take the Lead"—now you know! If you're a ballet or contemporary dancer, I can hear you protesting already - there's no such thing as Lead and Follow in your world, yet you dance with a partner all the time!
But there is an important difference. Dances like tango, salsa, swing and ballroom are, first and foremost, social dances. On stage, you both learn a choreography: you and your partner know exactly what steps to dance, so you can practice together until you're perfectly in sync.
In social dancing, there is no set routine. The dancers improvise their steps according to the music being played. Obviously if both partners tried to do that, it would be a recipe for chaos - so it makes sense to appoint one person to decide what the steps will be, and the other person follows.
That's the concept of "lead and follow". Who leads? In a partner dance, one partner is facing forward while the other has their back to the direction of travel. Obviously, the person who should lead is the person who can see where they're going - and that is, in fact, the rule. Politically incorrect though it may be, usually that's the man. As a dancer used to dancing solo for most of my life, learning to follow was especially tough for me - but it's not easy for any woman!
What's confusing is that you go to class and learn a routine -- so when it come to practising them with a partner, why not dance the steps exactly as you've learned them? The reason is that as you progress, you'll learn that partner dancing isn't about set routines: routines are just a way to teach you the individual steps, and get you used to how they combine in different ways.
When you go social dancing, you'll be dancing with partners who haven't learned the same routines as you, and may put the steps together in a completely different order. That's why it's important to get used to following right from the start, even when you know the routine -- because learning to allow your partner to lead isn't easy.
If you don't practice it constantly, you won't be able to switch it on suddenly when you need it. If you're following correctly, you won't take a step until your partner tells you to.
He may do that by pressure with his hand, by shifting his weight or even by making a hand signal - but whatever the signal is, you must follow it instantly. Practice and you'll be able to respond in a split second, so fast that your audience won't even notice any delay. If he gives the wrong signal, you forget what you were expecting to do, and follow the new signal instead.
No exceptions. It's hard, especially in this day and age, to surrender so much power to a guy. Especially if you're in a beginners' class and the man isn't giving you clear signals. Which brings us to The Lead - usually the man - has a much tougher job than the Follower. Sure, it takes skill for the Follower to read the signals given by the lead and react to them with split-second precision, and she often has more complicated steps to execute.
But it's up to the Lead to remember the choreography, if there is any - or worse, to make up the whole dance on the fly, from his repertoire of moves, to whatever music is being played - and then transmit his instructions to the Follower clearly without saying a word!
That's why the female stars on Dancing with the Stars have an advantage - because their professional male partner is responsible for dictating the steps. They don't have to remember the choreography - they just have to respond to his direction.
Whereas the male stars will lose points if it's obvious that the female professional is Leading them. Unfortunately, that means female beginners give up trying to follow and start dancing their own steps, so the men aren't forced to learn to lead - and it becomes a vicious circle.
If you're using force to move your partner, you're doing it wrong. Mastering lead and follow well takes time and effort. It's easier if you have a regular partner, because you can learn the right give and take together.
It can be very frustrating to learn how to follow, then go to a salsa class and find yourself dancing with men who won't give you a lead! Equally, it's annoying to learn how to lead, then go to ballroom class and find your female partners resisting your direction. In both situations, we tend to grin and bear it out of politeness - but in your own interest, it's worth plucking up the nerve to say something to your recalcitrant partner.
After all, you're not only helping yourself - you're helping your partner, and all the other people he or she is going to dance with in future! Sign in or sign up and post using a HubPages Network account. Comments are not for promoting your articles or other sites.
I'm a guy and I've read this stream carefully. I've been studying International Style ballroom for about 4 years and I'm still figuring out how to lead. I've learned a lot about what it means and what it doesn't mean. First, it's a form of communication and that's 2-way.
As soon as I go into dance hold, I can read my partner - particularly my normal ballroom partner. And the woman can and does signal in general terms how she's feeling and what she wants from the dance.
So 'leading' isn't all up to the guy, but I get the final decision. Second, both the man and the woman have to know their steps. Best example - Viennese waltz, where the man and woman alternate the drive. If the woman doesn't do her part, it turns into a mess quickly. So, following is far from passive.
Third, it's a give and take thing. I need to understand what my partner needs from me for frame, where to be, etc. And definitely no back-leading! Done right, it's like a nut and bolt fitting perfectly - you just know. Finally, it's a very interesting form of being a guy - you have to be relaxed but firm and confident at the same time. I'm finding that it's harder for both sides on more difficult steps. My lead set-up and timing has to be perfect and the woman has to execute things perfectly in the window she has.
One other point - as much as possible, I try to study my partner's steps so I know what she needs from me. Sometimes it would be nice to switch roles but I'll stick to the learning curve on how to lead, and leave the learning curve on following to my partner.
But it's a team effort. Maybe more - we're one unit with no boundaries when it's right. I mean, I'm a lindy follow and a Salsa lead, and although I think the curve is steeper for beginner leads when you are following at a higher level, leading becomes far easier, and then following is the challenge. I'm far more stressed when i'm following lindy than when i'm leading Salsa. What great comments, thank you. You're making me feel I need to revise my article, because we agree.
Leading is not about pushing your partner around, it's far more subtle than that! It's seen as this mostly by people who have a very restricted view on what partner dancing is. The true communication between dance partners does not require role separation.
Kat, the problem is that if you give up and just dance your steps anyway, the instructor can't see he's not leading. So that useless lead just goes on being useless. If you can't bring yourself to say something to that useless lead, then just do what he tells you and no more - THEN the instructor will notice the two of you dancing badly, and will come over and fix things up. As a follow who has under a year of experience, I get annoyed when a fellow beginner corrects me on the dance floor.
I don't want to be corrected by a student. In group class, we are all learning and I leave it up to my instructor to help me fix my issues. My concern is that they may not actually be right. One lead I can't stand dancing with has a very weak, wobbly frame and I never can sort out what he wants me to do. Yet somehow it's my fault. So I don't recommend saying anything to a fellow student, to me that's up to the instructor.
To Yves: You'd think that, but while I was looking for articles on "how to follow in dance," I had to wade through a lot of conservative propaganda about dating and marriage is "just like dancing--the man has to lead! People may need to lighten up, but unfortunately, it's important in this case to note that this is just about dancing and not a metaphor for how women should let men be in control in everyday life Isn't it funny that we have to preface the whole "political correctness thing" even when writing about "lead and follow" in dancing?
It's as if people are afraid that if he leads on the dance floor, we are somehow giving a man permission to boss a woman around in real life. People need to lighten up. As you clearly stated, lead and follow is truly the only way to keep dancing partners from messing up and stepping all over themselves. In fact, I have found that a strong lead can even make a weak dancer, such as myself, look pretty darn good on the dance floor.
Great article, Marisa. Politically incorrect it may be, but the convention is for the male to be in charge the Lead and the woman to follow. It is like good conversation question and answer not like monologue.
When i was in high school, we have to learn how to do the swing and I can remember my partner saying to me you don't know how to follow, I get upset to him but I guess he is right. Oh good, Paula, thank you so much.
BYU will allow same-sex dancing at annual competition
Get up and grab your partner around the waist—dancing is the perfect activity to strengthen your relationship. And according to experts, it has a whole host of wellness benefits, making it the perfect way to feel close to loved ones. Here are seven reasons to take up dancing. This particular study looked at how various forms of physical activity affected about 1, elderly Japanese women and their risk of becoming physically disabled, explains Time.
A video purportedly showing a woman stabbing her dancing partner presumably her spouse or boyfriend has been making its way around the internet since at least February The accompanying captions and comments have not provided much detail about where or when the video was filmed, and they have been contradictory in the details they have provided. For instance, one Facebook post claimed that these two individuals were strangers to each other, while a YouTube post asserted that they were husband and wife. The example included at the top of this article dates to 27 February and is the earliest posting of this clip that we could uncover.
Dancing On Ice star Maura Higgins swept up in drama between pro skating partner and his wife
By Carly Bass For Mailonline. It's been reported that Carlotta, 34, who is also a pro on the ITV series, is troubled by their 'close relationship 'and claims her husband is 'smitten' by the former Love Island star. On thin ice: Dancing On Ice star Maura Higgins has reportedly been swept up in drama between her pro skating partner Alexander Demetriou and his wife Carlotta. According to The Sun , a source claimed that Carlotta questions Maura's motives and has spoken backstage about not trusting her around her husband. Carlotta is reportedly worried Maura 'has turned her husband's head', that she is 'not a girls' girl' and has 'made no effort' with Carlotta while working on the show. According to the source, Carlotta has been complaining to other dancers about Alex spending so much time with Maura, and that he 'only seems to be interested in finding fame'. Both Alex and Carlotta joined the series as professional dancers last year. Trouble in paradise?
Dancing Couple Vectors, Photos & PSD
This is the story of how I learnt to dance, how it broke me out of my English shell, and includes a list of learnable dance principles. The connection is like a drug. The authenticity of Blues music moves us deeply. When you hold someone in that sound, expressing that sound physically together, something striking happens: oxytocin abounds. Through the night you get close to and let go of so many.
Send us a message to schedule a lesson or ask any questions. We look forward to getting to know you and dancing with you soon! Duet Dance Studio Chicago offers ballroom dance lessons and wedding dance classes.
Tyler Keith Wilson has danced in many ballroom competitions at Brigham Young University through the years, gliding with his partner over the glossy floors while she turned in a dress that looked like cotton candy. Except this time — for the first time at the Provo campus — Wilson will be dancing with another man. The event will be historic for the conservative college, which is owned by The Church of Jesus Christ of Latter-day Saints.SEE VIDEO BY TOPIC: How to Dip your Dance Partner
How to Lead and Follow (The Secret to Dancing With a Partner)
Partner dances are dances whose basic choreography involves coordinated dancing of two partners, as opposed to individuals dancing alone or individually in a non-coordinated manner, and as opposed to groups of people dancing simultaneously in a coordinated manner. At the prior to the s, many ballroom dance and folk dances existed in America. As jazz music developed at the start of the 19th century, African American communities in tandem developed Charleston and eventually Lindy Hop by the end of the s. Many cities had regular local competitions such as the Savoy Ballroom which accelerated the development and popularization of the dance. The dances were introduced to wider public through movies and regular performances such as those done at the Cotton Club in New York. An unusual for the time feature of the dance was the inclusion of sections where the dancers would move apart from each other, and perform individual steps known as the "breakaway". Another unique feature that was introduced in these early days were the first airsteps, also known today as aerials. These daring maneuvers were exciting for the audiences to watch, and when combined with live performances such as those by Ella Fitzgerald ,became a staple of organized Lindy Hop performances.
S ome of the men responding to my articles mentioning sexism perplex me. I admit I have trouble understanding why anyone would take that stance. I talked with my partner. Together, we discovered some sticking points that make it harder for men to unravel the puzzle of sexism. I failed to see these as sticking points because I experience life as a woman.
Все складывалось совсем не так, как он рассчитывал. Теперь предстояло принять решение. Бросить все и ехать в аэропорт.
Глаза, которые еще не приобрели отсутствующего безжизненного взгляда, закатились вверх и уставились в потолок с застывшим в них выражением ужаса и печали. - Dоnde estan sus efectos? - спросил Беккер на беглом кастильском наречии. - Где его вещи.
- Это прозвучало как сигнал к окончанию разговора.
Эти слова оказались не самыми подходящими. Глаза немца сузились. - Ein Ring, - сказал Беккер. - Du hast einen Ring. У вас есть кольцо.
Они не реагировали. - Выключите ТРАНСТЕКСТ! - потребовала. Остановка поисков ключа Цифровой крепости высвободила бы достаточно энергии для срабатывания дверных замков.
- Успокойся, Сьюзан, - сказал Стратмор, положив руку ей на плечо. Это умиротворяющее прикосновение вывело Сьюзан из оцепенения. Внезапно она вспомнила, зачем искала Стратмора, и повернулась к .
Он по-прежнему смотрел вниз, словно впав в транс и не отдавая себе отчета в происходящем. Сьюзан проследила за его взглядом, прижавшись к поручню. Сначала она не увидела ничего, кроме облаков пара.